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AYWMC: Part 2 Lesson 4: Advanced Composition Techniques

Lesson 2.4 in my own words
  • Think about what you're trying to say with your photographs. How do you want them to speak to the viewer?
  • Composition is the language of photography. It's the backbone of a photograph.
  • Think about:
    • Where do you put everything in the frame?
    • What do you leave out?
    • How do the elements relate to one another?
    • How can you use these principles to translate the scene you see into the finished image you see in your head?
  • With practice, composition will come naturally.

This week's project
  • Answer this question - "Why do you take photographs?"
  • Try some of these advanced composition techniques:
    • Visual weight 
      • What elements draw the viewer's attention? 
      • Do they compete with or distract from your chosen focal point?
    • What's leaving the frame? Don't let cut-off objects on edges distract from the subject.
    • What's overlapping? Give each element it's own space.

Why do I take photographs? I've been thinking about this and have pinpointed two reasons: documentation and communication. I don't see myself as an artist, so my photography isn't driven by a desire to create. Neither an I trying to elicit an emotional response from the viewer. Rather, my motive is to record the when, how, and why of our lifestyle, including its sorrows and joys. Even so, I want my photos to be interesting to look at and aesthetically pleasing. And I do enjoy the creative challenge to make them that way. So, I suppose I can add "personal satisfaction" to the reasons why I take photographs.

Practicing the composition techniques.

Visual weight: the eye is repeatedly drawn to the subject. I like that
there is good contrast with the background, and that the branches 
create diagonal leading lines, all leaning toward the subject.

What's leaving the frame? I understand this concept, but my usual method of
photography is simply to take a bunch of pictures and then crop them in Gimp.

Now, I'm trying to be more deliberate in analyzing the composition
of my shots beforehand. For this one, I changed my point-of-view.

Overlapping. Taking photos of animals is tough because they don't pose and they don't stay put.

Even though their bodies are overlapping, I think this photo
works because each of their heads has a defined space.

And that concludes part two of A Year With My Camera

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